As Giardini became out of space at some point, other countries started staging their shows in the Arsenale and other venues all over the city.īetween the two wars, the biennial was under the control of Benito Mussolini's government, becoming haunted by a specter of nationalism, such as a prize for the best maternity subject. The final country to build a pavilion in the Giardini was South Korea, which opened its space in 1995. Each country built its own pavilion, covering the costs of construction, upkeep and programming. The first national pavilion at the Biennale Venice opened in the Giardini di Castello in 1907 - the Belgian pavilion designed by Léon Sneyers, followed by Hungary and Great Britain in 1909, France in 1912, Russia in 1914 and the U.S. Some of the early editions welcomed works by international artists such as Gustav Klimt, Auguste Renoir, Gustave Courbet and Pablo Picasso, whose work was soon removed in fear that it might shock the public. The event was visited by 224,000 visitors, a figure that many 20th-century iterations struggled to equal, immediately becoming established as a vital source of tourism and commerce for the city.Īs the event emerged as one of the leading international art shows, the number of works accepted rose steadily. In an official announcement, Selvatico declared that the biennale would "affirm faith in the moral energies of our nation, and all the noblest activities of the modern spirit, without any distinction of nationality."Īlthough it was initially scheduled to open on April 22nd, 1894, the first Esposizione Internazionale d'Arte della Città di Venezia was inaugurated on April 30th, 1895 by the Italian King and Queen, Umberto I and Margherita di Savoia. The following year, it was decided that the event should adopt a "by invitation" system, reserve a section of the Exhibition for foreign artists and admit works by uninvited Italian artists which would be selected by a jury. In 1893, the Venetian City Council, headed by its mayor Riccardo Selvatico, passed a resolution to set up an Esposizione Biennale Artistica Nazionale. Hall of the Venice Biennale in 1930 dedicated to Amedeo Modigliani. How has the event gained its prestige? Let's dive deeper into the Venice Biennale history. Throughout decades, La Biennale di Venezia has maintained its ability to anticipate new trends in art, while presenting works and artists of every period under renewed perspectives. Often described as "the Olympics of the art world", the arts exhibition saw some of the most renowned 20th and 21st century artists presenting their work there and welcomed a range of important critics and art historians as curators of the main exhibitions and the National Pavilions, all contributing to generating the "pluralism of voices" for which the event has been known for. For over 120 years, Venice Biennale has been one of the most prestigious cultural institutions in the world. On the other hand, many concessions for the management of important water resources have been granted to corporations.One of the most anticipated international art events of the year, the 58th Venice Biennale opened its doors to the public, divided into two exhibitions at the main venues, the Arsenale and the central pavilion in the Giardini. Running under the title May You Live in Interesting Times, it highlights a general approach to making art and a view of art’s social function as embracing both pleasure and critical thinking.Įvery odd-numbered year, more than half a million art enthusiasts descend on Venice to visit the Art Biennale, a show on which all other biennales are based.
At the same time, the right to drinking water has been enshrined in the Constitution since 2016 and almost one-fifth of Slovenia's territory is protected in order to safeguard drinking water resources. Forecasts show, however, that with more frequent and more intense extreme weather events, these numbers will continue to grow. Nearly 160,000 Slovenian inhabitants live in flood-prone areas and some 50 to 70 floods of varying sizes affect Slovenia every year.
#Venice biennale iconical full
At the same time, water is full of opposites.īecause of water, life in Slovenia is enjoyable and satisfying, but at the same time water represents a particular danger. Water is linked to myriad myths and the subconscious, to thought and creativity, to politics and protest. Water – from rivers to glacial lakes, waterfalls, torrents, gullies, bogs, disappearing lakes, bays, karst and thermal springs – is one of the most potent and decisive factors determining both Slovenia’s landscapes and its supply of drinking water. Living with water is a daily fact of life in Slovenia, more than it might seem at first glance.
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